A portion of the field of erotic symbolism is covered by what Binet
(followed by Lombroso, Krafft-Ebing, and others) has termed "erotic
fetichism," or the tendency whereby sexual attraction is unduly exerted by
some special part or peculiarity of the body, or by some inanimate object
which has become associated with it. Such erotic symbolism of object
cannot, however, be dissociated from the even more important erotic
symbolism of process, and the two are so closely bound together that we
cannot attain a truly scientific view of them until we regard them broadly
as related parts of a common psychic tendency. If, as Groos asserts,[3] a
symbol has two chief meanings, one in which it indicates a physical
process which stands for a psychic process, and another in which it
indicates a part which represents the whole, erotic symbolism of act
corresponds to the first of these chief meanings, and erotic symbolism of
object to the other.
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Although it is not impossible to find some germs of erotic symbolism in
animals, in its more pronounced manifestations it is only found in the
human species. It could not be otherwise, for such symbolism involves not
only the play of fancy and imagination, the idealizing aptitude, but also
a certain amount of power of concentrating the attention on a point
outside the natural path of instinct and the ability to form new mental
constructions around that point. There are, indeed, as we shall see,
elementary forms of erotic symbolism which are not uncommonly associated
with feeble-mindedness, but even these are still peculiarly human, and in
its less crude manifestations erotic symbolism easily lends itself to
every degree of human refinement and intelligence.
In the study of "Love and Pain" in a previous volume, the analysis of the
large and complex mass of sexual phenomena which are associated with pain,
gradually resolved them to a considerable extent into a special case of
erotic symbolism; pain or restraint, whether inflicted on or by the loved
person, becomes, by a psychic process that is usually unconscious, the
symbol of the sexual mechanism, and hence arouses the same emotions as
that mechanism normally arouses. We may now attempt to deal more broadly
and comprehensively with the normal and abnormal aspects of erotic
symbolism in some of their most typical and least mixed forms.
The Greeks appear not only to have found in the myrtle-berry, the fruit of
a plant sacred to Venus, the image of the clitoris, but also in the rose
an image of the feminine labia; in the poetic literature of many
countries, indeed, this imagery of the rose may be traced in a more or
less veiled manner.
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The widespread symbolism of sex arose in the theories and conceptions of
primitive peoples concerning the function of generation and its nearest
analogies in Nature; it was continued for the sake of the vigorous and
expressive terminology which it furnished both for daily life and for
literature; its final survivals were cultivated because they furnished a
delicately sthetic method of approaching matters which a growing
refinement of sentiment made it difficult for lovers and poets to approach
in a more crude and direct manner. Its existence is of interest to us now
because it shows the objective validity of the basis on which erotic
symbolism, as we have here to understand it, develops. But from first to
last it is a distinct phenomenon, having a more or less reasoned and
intellectual basis, and it scarcely serves in any degree to feed the
sexual impulse. Erotic symbolism is not intellectual but emotional in its
origin; it starts into being, obscurely, with but a dim consciousness or
for the most part none at all, either suddenly from the shock of some
usually youthful experience, or more gradually through an instinctive
brooding on those things which are most intimately associated with a
sexually desirable person.
The kind of soil on which the germs of erotic symbolism may
develop is well seen in cases of sexual hyperцsthesia. In such
cases all the emotionally sexual analogies and resemblances,
which in erotic symbolism are fixed and organized, may be traced
in vague and passing forms, a single hyperцsthetic individual
perhaps presenting a great variety of germinal symbolisms.
Thus it has been recorded of an Italian nun (whose sister became
a prostitute) that from the age of 8 she had desire for coitus,
from the age of 10 masturbated, and later had homosexual
feelings, that the same feelings and practices continued after
she had taken the veil, though from time to time they assumed
religious equivalents.
A boy of 15 (given to masturbation), studied by Macdonald in
America, was similarly hyperцsthetic to the symbols of sexual
emotion. "I like amusing myself with my comrades," he told
Macdonald, "rolling ourselves into a ball, which gives one a
funny kind of warmth. I have a special pleasure in talking about
some things. It is the same when the governess kisses me on
saying good night or when I lean against her breast. I have that
sensation, too, when I see some of the pictures in the comic
papers, but only in those representing a woman, as when a young
man skating trips up a girl so that her clothes are raised a
little. When I read how a man saved a young girl from drowning,
so that they swam together, I had the same sensation. Looking at
the statues of women in the museum produces the same effect, or
when I see naked babies, or when a mother suckles a child. I
have often had that sensation when reading novels I ought not to
read, or when looking at a new-born calf, or seeing dogs and cows
and horses mounting on each other. When I see a girl flirting
with a boy, or leaning on his shoulder or with his arm round her
waist, I have an erection. It is the same when I see women and
little girls in bathing costume, or when boys talk of what their
fathers and mothers do together. In the Natural History Museum I
often see things which give me that sensation. One day when I
read how a man killed a young girl and carried her into a wood
and undressed her I had a feeling of enjoyment. When I read of
men who were bastards the idea of a woman having a child in that
way gives me this sensation. Some dances, and seeing young girls
astride a horse, excited me, too, and so in a circus when a woman
was shot out of a cannon and her skirts flew in the air. It has
no effect on me when I see men naked. Sometimes I enjoy seeing
women's underclothes in a shop, or when I see a lady or a girl
buying them, especially if they are drawers. When I saw a lady in
a dress which buttoned from top to bottom it had more effect on
me than seeing underclothes. Seeing dogs coupling gives me more
pleasure than looking at pretty women, but less than looking at
pretty little girls." In order of increasing intensity he placed
the phenomena that affected him thus: The coupling of flies, then
of horses, then the sight of women's undergarments, then a boy
and a girl flirting, then cows mounting on each other, the
statues of women with naked breasts, then contact with the
governess's body and breasts, finally coitus.
It is worthy of remark that the instinct of nutrition, when
restrained, may exhibit something of an analogous symbolism,
though in a minor degree, to that of sex. The ways in which a
hyperцsthetic hunger may seek its symbols are illustrated in the
case of a young woman called Nadia, who during several years was
carefully studied by Janet. It is a case of obsession ("maladie
du scrupule"), simulating hysterical anorexia, in which the
patient, for fear of getting fat, reduced her nourishment to the
smallest possible amount. "Nadia is generally hungry, even very
hungry. One can tell this by her actions; from time to time she
forgets herself to such an extent as to devour greedily anything
she can put her hands on. At other times, when she cannot resist
the desire to eat, she secretly takes a biscuit. She feels
horrible remorse for the action, but, all the same, she does it
again. Her confidences are very curious. She recognizes that a
great effort is needed to avoid eating, and considers she is a
heroine to resist so long. 'Sometimes I spent whole hours in
thinking about food, I was so hungry; I swallowed my saliva, I
bit my handkerchief, I rolled on the floor, I wanted to eat so
badly.
